Following in the footsteps of his father, Albert joins the 'family business'... being a master craftsman hangman.
Danny Dyer stars in this movie about criminals living the high life in the South of Spain.
After the success of Jurassic Park in 1993, the floodgates opened for digital special effects, and Jumanji is nothing if not a showcase for computer-generated creepiness guaranteed to give young children a nightmare or two. Whether that was the filmmakers' intention is up for debate, since this is a PG-rated adventure revolving around a mysterious board game that unleashes a terrifying jungle world upon its players, including gigantic spiders, huge mosquitoes, a stampede of rhinos, elephants, and every other jungle beast you can imagine. Robin Williams plays a man-child who's been trapped in the world of "Jumanji" for 26 years until he's freed by two kids who've discovered the game and released its parade of dangerous horrors. A chaotic and misguided attempt at family entertainment, the movie does offer a few good laughs, and the effects are frequently impressive, if not entirely convincing to the eye. --Jeff Shannon
The franchise that refined the horror genre is back! With its unique take on visual and psychological scares, the SAW franchise centres on sick, twisted Jigsaw (Tobin Bell) a man who has made it his life's mission to lay traps for unsuspecting sinners. This Legacy Collection brings together all eight films from the terrifying SAW series. See the game from beginning to end with the pieces of the Jigsaw. Features: With new gruesome textured varnish sleeve. With hours of special features including: Commentaries from directors, writers, producers and cast Video Diaries, Music Videos, Deleted Scenes and more
The franchise that refined the horror genre is back! With its unique take on visual and psychological scares, the SAW franchise centres on sick, twisted Jigsaw (Tobin Bell) a man who has made it his life's mission to lay traps for unsuspecting sinners. This Legacy Collection brings together all eight films from the terrifying SAW series. See the game from beginning to end with the pieces of the Jigsaw. Features: With new gruesome textured varnish sleeve. With hours of special features including: Commentaries from directors, writers, producers and cast Video Diaries, Music Videos, Deleted Scenes and more
Peter Jackson revisits the classic creature feature for this spectacular remake.
Eminem makes his movie debut in this tale of an aspiring talented rapper in Detroit, and the most crucial week of his young life.
Movies don't come any bigger than Peter Jackson's King Kong, a three-hour remake of the 1933 classic that marries breathtaking visual prowess with a surprising emotional depth. Expanding on the original story of the blonde beauty and the beast who falls for her, Jackson creates a movie spectacle that matches his Lord of the Rings films and even at times evokes their fantasy world while celebrating the glory of '30s Hollywood. Naomi Watts stars as Ann Darrow, a vaudeville actress down on her luck in Depression-era New York until manic filmmaker Carl Denham (a game but miscast Jack Black) entices her with a lead role. Dazzled by the genius of screenwriter Jack Driscoll (Adrien Brody), Ann boards the tramp steamer S.S. Venture, which she--and most of the wary crew--believes is headed for Singapore. Denham, however, is in search of the mythic Skull Island, hoping to capture its wonders on film and make a fortune. What he didn't count on were some scary natives who find that the comely Darrow looks like prime sacrifice material for a mysterious giant creature.... There's no point in rehashing the entire plot, as every movie aficionado is more than familiar with the trajectory of King Kong; the challenge facing Jackson, his screenwriters, and the phenomenal visual-effects team was to breathe new life into an old, familiar story. To that degree, they achieve what could be best called a qualified success. Though they've assembled a crackerjack supporting cast, including Thomas Kretschmann as the Venture's hard-bitten captain and young Jamie Bell as a plucky crewman, the first third of the movie is rather labored, with too much minute detail given over to sumptuous re-creations of '30s New York and the unexciting initial leg of the Venture's sea voyage. However, once the film finds its way to Skull Island (which bears more than a passing resemblance to LOTR's Mordor), Kong turns into a dazzling movie triumph, by turns terrifying and awe-inspiring. The choreography and execution of the action set pieces--including one involving Kong and a trio of Tyrannosaurus Rexes, as well as another that could be charitably described as a bug-phobic's nightmare--is nothing short of landmark filmmaking, and a certain Mr. Spielberg should watch his back, as Kong trumps most anything that has come before it. Despite the visual challenges of King Kong, the movie's most difficult hurdle is the budding romance between Ann and her simian soulmate. Happily, this is where Jackson unqualifiedly triumphs, as this unorthodox love story is tenderly and humorously drawn, by turns sympathetic and wondrous. Watts, whose accessibility balances out her almost otherworldly loveliness, works wonders with mere glances, and Andy Serkis, who digitally embodies Kong here much as he did Gollum in the LOTR films, breathes vibrant life into the giant star of the film without ever overplaying any emotions. The final, tragic act of the film, set mostly atop the Empire State Building, is where Kong earns its place in movie history as a work that celebrates both the technical and emotional heights that film can reach. --Mark Englehart, Amazon.com
Hard hitting and controversial classic BBC drama series, based on real life experiences. Tenko is the powerful story of a disparate group of women whose lives are changed forever when they are taken by the Japanese as prisoners of war after the fall of Singapore in 1941.This twelve disc set contains all thirty episodes from Series One to Three plus the feature length Reunion Special.
This first film adaptation of a John Grisham novel is a crackerjack popcorn movie that satisfies even though it radically changes the last half of the book. The novel's dynamic setup is intact: Mitch McDeere, a hot law graduate (a well-suited Tom Cruise), finds a dream job in a luxurious Memphis law firm. His superiors (Gene Hackman, Hal Holbrook) provide Mitch and his young wife, Abby (Jeanne Tripplehorn), with a house and plenty of money in exchange for lots of work, and maybe something more. Soon FBI agents (including a bald Ed Harris) encircle Mitch, telling him his firm has a sinister secret, forcing Mitch into a heck of a pickle. How Mitch deals with his situation is where the book and movie differ, yet by the time Mitch is running from bad guys with suitcase in hand, the movie delivers Grisham's goods. For Sydney Pollack's film, Mitch is more confrontational and heroic. Plot aside, the care Pollack put into this fair-weather thriller is unimpeachable, as is his cast. There is hardly a better all-star cast in any 1990s thriller, from Hackman and Harris in key roles to actors in smaller parts, sometimes with only a scene or two. Standouts include David Strathairn as Mitch's wayward brother, Wilford Brimley as the head of security, film producer Jerry Weintraub as an angry client, Gary Busey as a private investigator and Holly Hunter in a delicious, Oscar-nominated supporting role as Busey's most loyal of secretaries. The cast seems to have had as much fun making the film as we do watching it. It's slick Hollywood product, but first-rate all the way. --Doug Thomas
The classic science fiction novel by Ray Bradbury was a curious choice for one of the leading directors of the French New Wave, François Truffaut. But from the opening credits onward (spoken, not written on screen), Truffaut takes Bradbury's fascinating premise and makes it his own. The futuristic society depicted in Fahrenheit 451 is a culture without books. Firemen still race around in red trucks and wear helmets, but their job is to start fires: they ferret out forbidden stashes of books, douse them with petrol and make public bonfires. Oskar Werner, the star of Truffaut's Jules and Jim, plays a fireman named Montag, whose exposure to David Copperfield wakens an instinct towards reading and individual thought. (That's why books are banned--they give people too many ideas.) In an intriguing casting flourish, Julie Christie plays two roles: Montag's bored, drugged-up wife and the woman who helps kindle the spark of rebellion. The great Bernard Herrmann wrote the hard-driving music; Nicolas Roeg provided the cinematography. Fahrenheit 451 received a cool critical reception and has never quite been accepted by Truffaut fans or sci-fi buffs. Its deliberately listless manner has always been a problem, although that is part of its point; the lack of reading has made people dry and empty. If the movie is a bit stiff (Truffaut did not speak English well and never tried another project in English), it nevertheless is full of intriguing touches, and the ending is lyrical and haunting. --Robert Horton, Amazon.com
A double bill of family adventure films based on novels by Chris Van Allsburg. Zathura (Dir. Jon Favreau 2005): Actor-turned-director Jon Favreau (Elf) delivers another work of intelligent charming family fare with this space adventure. Older brother Walter (Josh Hutcherson) and the younger Danny (Jonah Bobo) are constantly at war with one another bickering over the mediating voice of their long-suffering father (Tim Robbins). When he has to go to the office to replace so
In 140 AD, two men - master and slave - venture beyond the edge of the known world on a dangerous and obsessive quest that will push them beyond the boundaries of loyalty and betrayal, friendship and hatred, deceit and heroism...
A study of four young Italian-Americans and their involvement with the Mafia and local crooks.
Novelist James Clavell wrote, produced and directed this 1967 British film (based on the novel by E. R. Braithwaite) about a rookie teacher who throws out stock lesson plans and really takes command of his unruly, adolescent students in a London school. Sidney Poitier is very good as a man struggling with the extent of his commitment to the job, and even more as a teacher whose commitment is to proffering life lessons instead of just academic ones. The spirit of this movie can also be found in more recent films such as Dangerous Minds and Mr. Holland's Opus, but none are as moving as this. Besides, the others don't have a title song performed by Lulu, who also stars. --Tom Keogh
In this final explosive third installment of the Matrix trilogy the city of Zion last bastion of the human race defends itself against the massive invasion of the machines as Neo attempts to fulfill his prophecy as 'The One'. As the Machine Army wages devastation on Zion its citizens mount an aggressive defense - but can they stave off the relentless swarm of Sentinels long enough for Neo adrift in a no man's land between the Matrix and the Machine world to harness the full exte
DeVito and Schwarzenegger as fraternal twin brothers? Hey, why not? This delightful 1988 comedy by Ivan Reitman--about genetically designed twin siblings who discover each other at the age of 35--works out just fine, thanks largely to great chemistry between the two stars. Despite a certain amount of rough action and tension, Twins really gets a lift from the palpable innocence Reitman develops, and the female costars (Chloe Webb and Kelly Preston) bring some interesting texture of their own. This is a film that walked the tightrope of a high concept and completely succeeded. To see how easy it is to stumble in a similar situation, check out DeVito and Schwarzenegger in Reitman's Junior. --Tom Keogh
The Adventures Of Huck Finn is an action-packed adaptation of Mark Twain's classic adventure. The unforgettable story of two unlikely friends a mischievous boy and a runaway slave on a wild trip down the mighty Mississippi River. On their treacherous journey to freedom they come across an entertaining assortment of diverse characters and face one incredible adventure after another. You won't want to miss this sensational telling of Twain's classic tale - a fun-filled mix of thrills and adventure!
Originally released in 1966 The Witches is an unforgettably chilling pastoral horror from the legendary Hammer Films studio. Adapted for the screen by Nigel Kneale (The Quatermass Xperiment) it also stars Joan Fontaine (Rebecca Suspicion) in her last major film role. Gwen Mayfield an English schoolteacher working in an African missionary suddenly finds herself being victimized by a tribe of local witch doctors. Exposed to the deadly powers of the occult she's left deeply traumatized. In an effort to recover Gwen takes up a position in a rural school within the British countryside. But the idyllic village surroundings become increasingly sinister as Gwen begins to uncover a nightmarish web of dark and satanic secrets. Special Features: Brand new documentary: Hammer Glamour Commentary
When young Alan Parrish and his friend Sarah (Bonnie Hunt) begin to play a mysterious board game they don't realise its unimaginable powers until Alan is magically transported into the untamed jungles of Jumanji. Twenty-six years later Judy (Kirsten Dunst) and Peter (Bradley Pierce) discover the dusty board and reawaken the game as they begin to play. Instantly the forces of Jumanji release a fully-grown bewildered Alan Parrish (Robin Williams) into their world. With each roll of
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